By this I mean that we no more have a shut system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.
Avion en papier
Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported Origami Crane Easy as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most recognized examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to provide enough points for the hip and legs. Rohm folded his Festival pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other Avion En Papier Professionnel to avoid the complexities of a model achieved solely by folding.
Kent du Pre has done such work on Symmetric figures such as stars from which flowers can be collapsed. Irregular figures have appeared occasionally, nevertheless the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper trimming. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive width. The most recent mention of the techniques is by Toshie Takahama who refers Avion En Papier Pliage Facile to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.
Inside a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling That is now usual in animal folds to call for a final modelling particularly when foil has been used and one can be certain of the material remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper seems to be Japanese in origin
Fleur en papier
The slicing out of holes and so forth. to indicate eyes etc is sometimes found in Japanese books and we are obviously dealing with a approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of Avion En Papier Planeur Video paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and evidently here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its simplest form we might use stuff, staples or 'blue tac' to hold a model in the desired pose and position. Or we may use wiring or cards. Probably the most unusual form of 'display mechanics' that I actually am familiar with is by Toyoaki Kawai.
Bateau en papier
The associated arts Bateau De Papier Chanson Paroles are Weaving cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The particular sheets of paper are folded together but usually opened at the conclusion to show the multi-layers usually with different shades. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of paper each folded to symbolize some part of the creature Youtube Bateau En Papier and then brought collectively. The theory may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Miracle. Recently kits have came out for folding a dragon from a quantity of squares of different sizes.
Comment faire un avion en papier
Inside the most extreme mixtures of water and document we are, naturally , in the world of papier-mache which is evidently an open-ended art. DecoratingThe simplest step from your single color is one side colored and one white or plain. A great deal of modern Origami intrusions this colour difference. The delightful example is Joan Homewood's Robin.
We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after choosing the right pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design well suited for a special model. The end of this process is evidently the decoration of the last model and therefore into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then ribbon and finally string.